I have the coolest parents.

I go through insanity before a show. It's not really a process but it's like absolute mortal fear.

I think that you have to let yourself be agitated and annoyed and not be fully comfortable.

I don't think about, "How does this song that has more of an electronic mix prefix to a song that has a full orchestra next to a song that has other things?" I just work on it as-needed.

Most of the time I don't even talk about any direct lineage of songs, because I feel like it just chains them down into my own consciousness, and the whole fun of them is being able to live in others' consciousness.

You get to be your own curator of your own exhibits inside.

I figured, 'If I ever get offered a chance to sign a deal, I'll only do it if I got to do it how I want.' So my contract is structured in such a way that I'm really protected.