I figured, 'If I ever get offered a chance to sign a deal, I'll only do it if I got to do it how I want.' So my contract is structured in such a way that I'm really protected.

Pickle jars are just pickle jars, and pickles are just pickles.

I don't really make records chronologically.

I have my own tastes and I have my my own... like, I dunno. I think it's really subjective; something that I think is a great song, is unlistenable to somebody else, which I've come to realise.

I care so much about making things that are useful for people to have and listen to, but I don't care so much that I won't do whatever the hell I want. It's just one of those things.

I remember somebody handed me Siddhartha when I was I think 18, and I started to read it and I just really didn't like it, and I left it and it was just gathering dust for years. Then maybe five years later, the world shook as I read it.

You are always growing, so maybe the way that you bring the songs forward and translate them is more mature.