When you're working on a television show with actors, what you hope you're doing is playing jazz with them all the time. You see what they're giving you, so you try to write back to that, and then they play with that, and you get a sense of what is going on. That's just a natural way in which TV series usually work.

Only in Southern California do camping grounds actually have wifi, so I was sitting in my tent and I started reading it on my computer, and I couldn't put it down. More importantly, I kept getting up in the middle of the night going, "Oh, this is cool," so I pitched them an idea that they seemed to like.

And, what we've allowed ourselves to become - and this is part of Chris' ideas - is complacent, in allowing our lives to be taken over, or at least in allowing that kind of scrutiny into our lives. We've given up a little bit of that, and this is the existential nightmare of all of that. What happens when you suddenly find out that people have been watching you, with a purpose?

It's not unheard of, in the course of life, that if there's enough interest in it, we could consider going a second season or doing another chapter. I keep looking at it as books in a series, and this season is the first book.

I'm not saying that I'm the grand genius that came in on a float and made it happen, but they liked my pitch. I was on my way to a camping trip with my daughter when my agent called and said, "This thing came up and it's really wild and crazy, do you want to read it?" And, I said, "Yeah, why don't you just send it to me? But, I'm going on this camping trip, so I probably won't be able to read it until I get back."

It was tough to write. We had the shadow of "Lost" hanging around and I just kept saying, "Guys, we need to take a really wide birth around 'Lost.' We're going to get lots of comparisons anyway, but we need to prove, within a couple episodes, that it's not 'Lost.'"

Suddenly, I realized how tough trying to structure a story like this is. It was a lot of work. The one big advantage that we had was that we had eight scripts written before we started shooting, or even started casting. We had a really good opportunity to look at it and figure out where we were going to go and how to do it. Once we got a cast, which I love, then we started doing some revisions to make sure that they fit into it.