Speech, tennis, music, skiing, manners, love- you try them waking and perhaps balk at the jump, and then you're over. You've caught the rhythm of them once and for all, in your sleep at night. The city, of course, can wreck it. So much insomnia. So many rhythms collide. The salesgirl, the landlord, the guests, the bystanders, sixteen varieties of social circumstance in a day. Everyone has the power to call your whole life into question here. Too many people have access to your state of mind. Some people are indifferent to dislike, even relish it. Hardly anyone I know.

Though films become more daring sexually, they are probably less sexy than they ever were. There haven't been any convincing love scenes or romances in the movies in a while. (Nobody even seems to neck in theaters any more.) ... when the mechanics and sadism quotients go up, the movie love interest goes dead, and the film just lies there, giving a certain amount of offense.

And then there were the wallflowers who had recognized for years that the thing was hopeless, who had found in that information a kind of calm. They no longer tried, with a bright and desperate effort, to sustain a conversation with somebody's brother, somebody's usher, somebody's roommate, somebody's roommate's usher's brother... The category of wallflower who had given up on all this was very quiet, not indifferent, only quiet. And she always brought a book.

My capacity for having a good time exists. It surfaces, however, on odd occasions.

Idle people are often bored and bored people, unless they sleep a lot, are cruel. It is not accident that boredom and cruelty are great preoccupations in our time.

In almost every thriller, a point is reached when someone, usually calling from a phone booth, telephones with a vital piece of information, which he cannot divulge by phone. By the time the hero arrives at the place where they had arranged to meet, the caller is dead, or too near death to tell. There is never an explanation for the reluctance of the caller to impart his message in the first place.

There is a difference, of course, between real sentiment and the trash of shared experience.