If you do your job properly you usually learn a lot from any role you do.

For me, as I began to see the light at the end of the tunnel, I became aware of how on an instinctive level I made choices to cover myself.

The writers and producers always have an idea, then they cast the role and the instrument starts to tell them how to play the music.

The only other series I worked on a regular basis was Benson, and that was a sitcom, so there really wasn't a chance to go deeply into the characters.

My daughter is here in town doing a play, and her dog is staying with us. We live up in the hills, so he has access to thousands of acres of wilderness.

They've got to deliver twenty-six episodes a season and they're not going to beat their heads up against a wall if they feel something didn't, like, pan out the way they had hoped.

At this point we've answered about every question you could possibly imagine about Deep Space Nine, so we do this thing called Theatrical Jazz, where we do a show of bits and pieces of things from plays and literature, poetry... stuff that we like. It's fun.