I enjoy co-directing or even being there just for support because you get to see your script come to aural life in front of you.

Generally I wouldn't accept work on projects where I didn't agree with the sensibilities behind the main character.

I am terribly British. Especially in the eyes of Americans. I drink several gallons of tea a day, I'm often excessively polite and it's only through many years of expensive and painful dental work that I don't have bad teeth.

Videogames need more women and are too reliant on male, stubble-covered heroes.

I can pretty much spend an entire week talking about how the writing process works, to be honest! It can really vary from project to project and is often dependent on when you're brought on board, the genre, the platform and the narrative desires of the project.

There's a moment on the arch of a jump, when you are neither rising nor falling. All you can see is the sky. All you can feel is the air and all you can hear is your heartbeat. That is all you are. Muscle and motion. It's called the deadpoint. I live for that.

There's always a lot of pressure with big projects and so as a writer you have to be robust and flexible, with a tough hide.