I was an adult and I was in the Edinburgh Fringe Festival. I was performing in this cave - they used to bury the plague victims in these caves underneath the streets of Edinburgh, when I got this weird cold sensation up my spine, it gave me this really weird feeling, and then I looked up and there was this white, sudden white shape, that just zapped from me and went straight to the light that was at the back of the room, and I just stopped cold and said to the audience, "Did you guys see that?" No one saw it.

I get them [auditions] from time to time, and I sometimes get auditions for big dramas, and I often think, well, I'm not going to get that part. This was a big surprise - it was The X-Files.

He [Taika Watiti] worked on this screenplay for a couple of years and just getting it right and the result is there. He's made really close to a perfect film [Hunt for the Wilderpeople]... Perfect as you can be.

Barry Crump wrote a lot of books and they were really special. They were kind of the quintessential, mild for the most part, kind of southern man, kind of the true heart of what it meant to be a Kiwi kind of farmer; very kind of outdoor man living off the land. That kind of thing, you don't see so much anymore these days with everyone being metrosexual and lattes and laptops.

I was in the New Zealand army for like four years, the exact period of when it was on the air, so I never saw it.

It's a funny thing because it's what the people say when they come across a ghost situation is that it does freak you out, but then you do get over it - for some reason you're not scared to come across it again.

I know as far as things like the Thunderbirds, there's a New Zealand connection. X-Files, my connection there... I mean, it could be zeitgeist. I mean, I'm into the paranormal. I have a podcast about cryptozoology. So it's out there that I'm into weird stuff.