The only thing I can say in comparison is when I play comedy characters; I definitely put empathy in right up at the forefront. I think if you believe in someone because you not necessarily feel sorry for them, but you can see how they are the way they are and you can laugh with them, but rather than laugh at them, you are on their side and I think it's

Greatest American Hero, I really dug that as a kid, because it had an alienation to it, where he was given a gift and didn't know why, and yet he was forced to do something with it and he was very much an out-of-place character who was trying to cope with his own surroundings, and I can kind of relate to that guy.

I've had a couple of ghost experiences, but I'm not a big fan of the spiritual side of things, of the ghost type thing. I don't know why, maybe it freaks me out a bit, or I'm more into tangible, physical beings rather than things that can pass through walls.

He [Taika Watiti] worked on this screenplay for a couple of years and just getting it right and the result is there. He's made really close to a perfect film [Hunt for the Wilderpeople]... Perfect as you can be.

That's one of the best things about characters like Indiana Jones. I mean, he's funny. He's done really wicked things.

When I do the Edinburgh Fringe Festival, I always go across to Loch Ness and stay there.

I guess, on my list, going back to some old American stuff and British stuff that I used to love in the '80s, would be a British show called Dad's Army, which recently just turned into a movie.