Luckily the script [of X-files episode] was written wonderfully and that became who I was and I was quirky, and I was kind of agitated and not entirely happy, but at the same time, witty.

Greatest American Hero, I really dug that as a kid, because it had an alienation to it, where he was given a gift and didn't know why, and yet he was forced to do something with it and he was very much an out-of-place character who was trying to cope with his own surroundings, and I can kind of relate to that guy.

I've always been a big fan of the Yeti, simply because I have an affiliation to Everest - who was the New Zealander, Sir Edmund Hillary, the guy that conquered it. He actually went on an expedition after the Everest climb to look for the Yeti, and they didn't find it, but they found a footprint and some hair samples that turned out to be a goat or something.

When I did The X-Files, there was certainly less of that because the script was as it was and it was such a wonderful script and it was quite complex and there wasn't a hell of a lot of improvising I could do to bring to the table, but I guess what I did bring was a sense of self and that the reason I was cast was because I did come across as someone who possibly was only human for a short time.

I do want to come across something, I do want to feel something and see something.

It's a funny thing because it's what the people say when they come across a ghost situation is that it does freak you out, but then you do get over it - for some reason you're not scared to come across it again.

I think when I'm cast in things, people take that as part of the package that I would like to have some sort of creative control and they know what I'm capable of, so they let me come on the day with my own ammunition.