If I spend a year and a half writing a script, the first year will be outlining in notebooks. It's just the way I work, definitely not necessarily the best way.

That's part of the appeal of time-travel movies: The notion of going back and fixing something.

If I spend a year and a half writing a script, the first year will be outlining in notebooks. It's just the way I work, definitely not necessarily the best way.

All of us have that feeling of some deficiency from our childhood. I think that's a universal thing.

The critical reaction to 'Bloom' has been similar to 'Brick.' There are people on board with it and people who are not.

Rather than thinking in terms of a specific genre or specific kind of thing, I hope I can just stay relatively small and keep making my movies. If I can keep writing them and making them, I'll be happy.

The only advice I can really give to the young filmmakers is to be persistent, don't give up, and keep watching and making as many movies as you possibly can.