I think I understand what bands want, just from having made records myself. I understand what it takes to get a good vocal sound, or to make people comfortable in the studio. From minor things like their headphone mix - and if a singer's singing, how they should hear themselves - to how to make people feel that they're getting exactly what they want. All those things, I think, are an advantage, especially the part about having done it myself. I'm not just an engineer who records the sounds well. I'm not afraid to take chances.

There's more to light than the opposite of dark.

Secrecy is the enemy of efficiency, but don't let anyone know it.

Once they're on paper, they're gone. I like to do as much with the words, as far as image goes, so that it's really left open for a lot of things, even though I remember a specific impression of something I had at the time. I can't say a song is about this or that; in fact, I wouldn't even want to. I just prefer to have people live it anyway they want. Because it's theirs after that. There's nothing I can do about it anymore

Sometimes you want to run away Sometimes you think you do But you never had a dream like this before And you don't want to ask for more Sometimes you leave a mark Before you know the score

They're caught where there's no way out or where you can't see out. What are you going to do about it? I don't have the answer. If I did there would be no insane asylums. But I see a lot of people, a lot of my friends in the same predicament. Many times in my life, I was there myself.

Never mind a world That can't see past brutality Answers are getting the gas Live gestures Have constantly been used As weapons