Even at the beginning when I arrived at Givenchy, there were certainly people who supported me, but not everyone loved me. They were saying, "Why an Italian who acts Gothic?" Never mind the fact that Italy is one of the main exhibitors of Gothic art in the world. But it was like, "No, Italians should only do sexy!"

I started to draw and design clothes that I couldn't find, because everything was all luxury, fashion clothes or very straight. So I mixed all of that together: Who says I can't put a man in a skirt? Who says that a man can't wear lace? Who says that men can't wear Swarovski? Who says that men can't wear makeup? You know what I'm like; for me, straight, gay, women, men, trans, we're all the same. I don't see difference.

I tried to never exclude people. I know what it means to be left out.

My great strength, which I very much believe in, is family. For me, family doesn't simply mean components of DNA. I mean family in the sense of siblings. My mom and my sisters are the energy and inspiration in my life.

I think that's what you and I have in common, Donatella Versace, that careful balance. It makes me proud to be an Italian. In the end, I am proud to do what I do.

Couture is emotion. Couture is freedom. Couture is not thinking about pricing and not thinking about craziness. You can do whatever you want to do in couture.

I was a very nice boy. I was well-educated ... very Catholic family. So I was very respectful, never late at work. I was always the last one to leave. It's always been that way in my life.