Photography has always reminded me of the second child.. trying to prove itself. The fact that it wasn't really considered an art.. that it was considered a craft.. has trapped almost every serious photographer.

I know that the accident of my being a photographer has made my life possible.

I hate cameras. They interfere, they’re always in the way. I wish: if I could just work with my eyes alone. To get a satisfactory print, one that contains all that you intended, is very often more difficult and dangerous than the sitting itself. When I’m photographing, I immediately know when I’ve got the image I really want. But to get the image out of the camera and into the open, is another matter.

People, unprotected by their roles, become isolated in beauty and intellect and illness and confusion.

You can't get at the thing itself, the real nature of the sitter, by stripping away the surface. You can only get beyond the surface by working with the surface. All that you can do is manipulate that surface - gesture, costume, expression - radically and correctly.

I always prefer to work in the studio. It isolates people from their environment. They become in a sense... symbolic of themselves. I often feel that people come to me to be photographed as they would go to a doctor or a fortune teller - to find out how they are.

The moment an emotion or fact is transformed into a photograph it is no longer a fact but an opinion.