I've photographed just about everyone in the world. But what I hope to do is photograph people of accomplishment, not celebrity, and help define the difference once again.

I believe that you've got to love your work so much that it is all you want to do.

People — running from unhappiness, hiding in power — are locked within their reputations, ambitions, beliefs.

Just advertising departments with legs and high heels.

My parents put the New Yorker in my crib. I saw Vogue and Vanity Fair around the house before I could read.

It's not hard being great occasionally. It's difficult to be good consistently.

It's in trying to direct the traffic between Artiface [sic] and Candor, without being run over, that I'm confronted with the questions about photography that matter most to me.