When I'm writing it's as if I'm the observer. It's as if that computer screen there -it used to be the typewriter - just kind of dissolves and there's this whirling tunnel of mist and there's a kind of proscenium arch, and then there are my characters, and they say what they say, and I laugh sometimes in surprise at what they say.

The man who flies an airplane ... must believe in the unseen.

Do you have any idea how many lives we must have gone through before we even get the first idea that there is more to life than eating, or fighting, or power in the Flock? A thousand lives, Jon, ten thousand! And then another hundred lives until we began to learn that there is such a thing as perfection, and another hundred again to get the idea that our purpose for living is to find that perfection and show it forth... we choose our next world through what we learn in this one. Learn nothing, and the next world is the same as this one, all the same limitations and lead weights to overcome.

Part One: I do not exist to impress the world. I exist to live my life in a way that will make me happy. Part Two: Everybody else is free to do whatever they feel like doing, for a living. Part Three: Responsible is Able to Respond, able to answer for the way we choose to live. There's only one person we have to answer to, of course, and that is ourselves.

My way of writing a book is completely disorganized - to hurl myself at the problem, over and over.

Flyers have a sense of adventures yet to come, instead of dimly recalling adventures of long ago as the only moments in which they truly lived.

What a story that would make! How many men and women go through the same rivers, menaced by the same sharp clichés, the same jagged dangers that have threatened us! If the idea stands up, I thought, it would be worth uncovering the typewriter! How Richard-years-ago would have wanted to know: What happens when we set off searching for a soulmate who doesn't exist, and find her?