It rekindles the great Hollywood romances.

Years from now, when cinephiles are asked to name the movies' golden age, they'll say it was when Cate Blanchett was in them.

Every artist undresses his subject, whether human or still life. It is his business to find essences in surfaces, and what more attractive and challenging surface than the skin around a soul?

It is an actor's passion to observe the world. It is his art to become what he observes. And finally, it is his job to let the world observe him.

The visual palette suggests the creepy pastel paintings of Guy Peellaert (Rock Dreams); the fantasy battles with monsters and samurais echo the muscular landscapes of Frank Frazetta and Boris Vallejo. The movie is like an arrested adolescent's Google search run amok.

It is said that no star is a heroine to her makeup artist.

[Michael Hastings] has composed a dirge to incompatibility, which, because it raises expectations only to defeat them, leaves a taste of exhumed ashes.