A lot of athletes have star quality, but they just can't perform in front of a camera. So no matter how good-looking you are, no matter what kind of presence you have, you still have to be able to be a convincing performer to become a star.

It wasn't easy once I started running 20th Century Fox. There were a lot of eyebrows raised, and it wasn't easy, that transition, because, you know, I had big shoes to fill and I was very young, 27.

When you're doing a film, it's your film and it's, you know, your blood and - is in it along with everybody else's, and it's the greatest picture ever made when you're shooting it. It's only after the critics and then the public say you were wrong that you realize that you were wrong.

A lot of athletes have star quality, but they just can't perform in front of a camera. So no matter how good-looking you are, no matter what kind of presence you have, you still have to be able to be a convincing performer to become a star.

In the studios days, the public's perception of movie stars was much different, because the stars were so much less exposed. This made them seem more special, more unearthly. Today they're no longer perceived as different - they've become human, so to speak.

The Sound of Music' did more damage to the industry than any other picture. Everyone tried to copy it. We were the biggest offenders.

The technology is really where all of the changes have taken place, but the fundamentals of a good story being the basis of every good picture, and really the only basis still remains the rule, more so today, I think, because we've unfortunately weaned an audience from birth to kind of mindless movies.