The thing about Bob Dylan's performative essence is that he keeps singing these old songs as well as the new songs, and the old songs become new with new arrangements and new contexts as time goes by.

One of the powerful functions of a library-any library-lies in its ability to take us away from worlds that are familiar and comfortable and into ones which we can neither predict nor control, to lead us down new roads whose contours and vistas provide us with new perspectives.

Blues songs, like folk songs, are a continuous stream, and catching the continuities and thefts is part of what puts meaning and complexity into it - also part of the fun of it all.

Some artists respond to critics' questions about their art. I think Bob Dylan would alwys refuse to respond to questions of that sort, he always has.

Bob Dylan tells interviewers what he wants to tell them, not what they necessarily want to know. His responses are really part of the art, and often have a relationship to the songs that have just come out or are about to come out.

Bob Dylan tends not to have geographical or chronological markers that tie a song to any specific context, so they stay alive, stay relevant.

Bob Dylan truly is a poet whose song is part of the poetry.