The idea of the past is as useless as the idea of the future. Both could be invoked by anybody about anything. There is never any more beauty than there is now. There is no more joy or wonder or sorrow than there is now, nor perfection, nor any more evil nor any more good than there is now.

There are words and words and none mean anything. And then one sentence means everything.

Writing is not lying, nor is it theft. It is a journey and search for transparency between one’s words and one’s soul.

The monsters demand less of you as a writer because they're probably closer to who you are.

What you're constantly seeking isn't a style, but a transparency between your soul and the words. And your soul is ever in flux, so therefore you have to constantly find new forms of words that might be able to register these changes in the soul.

What reality was ever made by realists?

I think it's common sense to shy away from the erotic. Perhaps this grand experiment, which started with Lady Chatterley's Lover, of seeing what you can write and how you can write about sex, has reached a certain weary terminus with Fifty Shades of Grey.