I think writing should be about change.
Is it easier for a man to live his life again as a fish, than to accept the wonder of being human? So alone, so frightened, so wanting for what we are afraid to give tongue to.
What reality was ever made by realists?
I think empathy's a terrible danger for a writer.
Love is the scent of a sleeping back, death a slight draft of bad breath.
I think it's common sense to shy away from the erotic. Perhaps this grand experiment, which started with Lady Chatterley's Lover, of seeing what you can write and how you can write about sex, has reached a certain weary terminus with Fifty Shades of Grey.