Even though I get a lot done with my solitude, and I make the best use of it possible, I always think solitude is an interlude in a period of time, which is populated by others.

Some people think that writers are innately solitary and that there's a kind of romance to that solitariness. I tend to think that what writers really want to do is get accepted into things. They want to get accepted into society, into culture, into intelligentsia, into the fun. Writing is their mechanism, their instrument, for doing that.

The world is a more engaging and less dramatic place than writers ever give it credit for being

Only sometimes you can't feel anything about a subject without hypothesizing its extinction.

A reader is entitled to believe what he or she believes is consonant with the facts of the book. It is not unusual that readers take away something that is spiritually at variance from what I myself experienced. That's not to say readers make up the book they want. We all have to agree on the facts. But readers bring their histories and all sets of longings. A book will pluck the strings of those longings differently among different readers.

If Trump was just a piddly-ass little hotel owner some place, having the kind of character and manners that he has, he would not be worth our notice. But because he's now been based to this huge stage, then his dimensions become immense. He's not a tragic figure because he doesn't have the capacity to be tragic. But the consequences of his life and his self now are immense; they're threatening to the world and to the sanctity of human life.

It is no loss to mankind when one writer decides to call it a day. When a tree falls in the forest, who cares but the monkeys?