What really happened was one day I decided to write a new kind of play.

Which implies that the real issue in art is the audience's response. Now I claim that when I make things, I don't care about the audience's response, I'm making them for myself. But I'm making them for myself as audience, because I want to wake myself up.

As I told you, from the time I was fifteen, I thought the theater was too much involved with actors trying to make the audience love them, being over emotional.

My play is the ultimate expression of my feeling of the twilight of Western civilization.

I see within us all (myself included) the replacement of complex inner density with a new kind of self—evolving under the pressure of information overload and the technology of the ‘instantly available’.

It's true, I don't like the real world.

I've been trying to figure out for at least the last 10 years how to force myself into something more risky.