When you're reading my book, you're not in a four dimensional continuum, you're in my continuum, the Grossman continuum.

I'm truly an outsider in the poetry world. When I started writing, I was trying to move my poems away from modernist lines.

The problem with American democracy is the American corporation, which is a slave holder construct, pure and simple. It's totally invasive, and people are as tightly controlled within the walls of a corporation as they are in a totalitarian society.

I think not in two or three dimensional terms but in five dimensional terms when I consider a novel. There's height, width, and depth, there's the time factor, and then there's the factor which I call the cerebral factor of the reader, the way the reader adjusts to all the other dimensions, which is the fifth dimension.

I've been in the art world for many years. But the sad fact is that most writers are visually prepubescent. Generally speaking, the literary world is provincial when it comes to matters of art. And it always has been.

My books are not about different components that fit together like pieces in a jigsaw puzzle, it's about creating the space around the components, which is almost as important as the components themselves. And that space changes and blends depending upon what the components are.

I don't think that brutality and idealism are mutually exclusive. It's a common denominator in my work - rabid idealism.