It used to be that artists thought of nature as their environment. Now media is our environment. It has been for the past 50, 70 years. It's what you see on TV, on the computer, what is in the magazines and newspapers.

we still have the Chrysler Building and the Empire State Building and the Woolworth Building, but it just seems like part of the nature of New York, that it's always shifting.

You're always thinking, "What does that add up to?" You can't really get a handle on it. I was curious. I felt like it would be an interesting challenge for me to write down what I'd seen and done and learned - all the convolutions captured in one item that I could look at and get some grip on what the hell happened.

An autobiography is a life story. It starts when you're born and continues until the end.

The problem with an autobiography is that all these extra factors make it difficult. You don't want to hurt people's feelings. You don't know how much you can trust your memory. You don't want it to be self-serving. And you have all these issues about how to present yourself. All these factors make it harder to do than a novel.

There's nothing left of my hometown in Kentucky. All those small and mid-sized towns and cities in the U.S. are just about malls around the edges and suburbs. That was definitely a loss, because everything just gets homogenized. You can't tell where you are, it's all the same.

I remember the revelation it was to me when I realized I'd rather be smart in the way Elvis Presley was than in the way, say, Ludwig Wittgenstein was. The thing was, you could imagine you could be smart like Wittgenstein by just thinking hard enough, but Elvis just had it. It was almost spiritual. A kind of grace.