In a sense, all fiction is experimental. Every new book is an adventure into unknown territory. As Hemingway told us, you (the writer) have to go out beyond where you have gone before.

Love is always right.

I don't worry much about whether or not one of my stories contains elements of the supernatural. If I come up with what I think is a nifty concept, I'll give it a whirl.

In my vast experience, I've found it always wiser to go along with female advice... First, you make them happy by doing what they tell you. That's the main thing. Let them think they're in control. They love it. Then, if it turns out they were right, everything's cool. If it turns out they were wrong... then you have the pleasure of basking in the glow of superiority.

A few of my books, over the years, have been optioned for film. The subject matter of my books, however, is not exactly conducive to Hollywood film treatment. If and when a 'big-budget' film is ever made based on one of my books, my fans and I will more than likely loathe it because it won't be true to its source. That's almost a given.

Bring a vampire around, people start discovering religion.

Horror writers are specialists in the worst case scenario