I think maybe making films is something innate you can't really teach to begin with.

I think you get in trouble if you make experimental big studio films.

I've always liked the minds of criminals, they seem similar to artists.

The idea is to remain in a state of constant departure, while always arriving.

I'd like to quit thinking of the present as some minor insignificant preamble to something else.

When you're trying to get laid, everything's great, but once you've been with someone eight years and the future is not finite, you have time to sit and really examine every little thing that irritates you.

I can't help but think that at the end of your life, when you look back, there'll be a tone. And that tone will come from the essence of how you live your day to day what you did in that between time because that is really your life.