It's kinda like D.H. Lawrence had this idea of two people meeting on a road, and instead of just passing and glancing away, they decide to accept what he calls the confrontation between their souls. It's like freeing the brave, reckless gods within us all.

I want to make a film about a factory worker.

I'd like to quit thinking of the present as some minor insignificant preamble to something else.

Normally my process is to sit in a room and read a script and talk about it and ask questions and just create a dialogue. That goes all the way through shooting. All kinds of thoughts and ideas can find their way in there. As long as you're all on - We're just all trying to tell the story so my job as a director is just to find out what this film wants to be based on, it's just words on a page at some point but then it just needs to go to some level of believable storytelling. I'm discovering the film as I make it, to some degree.

Everyone is encouraged to see their lives, the world through the eyes of the rich.

It's hard to see a film one time and really "get it," and write fully and intelligently about it. That's a review. That's not film criticism.

The rules of parenting have changed. By the modern definition, we were a generation of neglected children.