Monogamy, monotony. There's only a couple of letters...

Before Sunrise did very well internationally. It made as much in Italy and Korea as it did here.

Filmmakers are going to make films, just like painters are going to paint.

There are so many great artists, I think, who kind of suffer from being icons, legends, acknowledged masters.

I do find myself at the moment, due to the success of School of Rock, to be on people's radar a little.

Definitely my generation and beyond grew up in theaters and when you make a film you think of the theatrical experience. You think of that big screen in the darkened theater with a lot of people, so that's always the thought behind it. If that's the case, it's nice if that's available. That's great, but I don't really mind if they're watching films on a plane. I don't mind. Anybody who just wants to watch a movie, I can't complain. If that's the way they're going to watch them, that's the way they watch them. Who am I to judge?

That's the history of art - you have to consider yourself fortunate if you ever get acknowledged. If you have a critical success that's also a financial success and that you feel good about... If things line up, that's pretty rare.