I can't help but think that at the end of your life, when you look back, there'll be a tone. And that tone will come from the essence of how you live your day to day what you did in that between time because that is really your life.

It's hard to see a film one time and really "get it," and write fully and intelligently about it. That's a review. That's not film criticism.

I have a lot of women friends - I feel like I finally matured a little. But initially I was attracted to some of them. I liked everything they were about. I think men are just taught: "Okay, well then, I should try to have sex with them." I'm just lucky that it went in the friendship direction, and it became a much stronger bond that's lasted a long time. You wonder how many potentially great friends you lose along the way because you become lovers and it is so painful when it's over and you can't turn it into a positive friendship.

All I've learned is that you need the studio system sometimes, if your budget is a certain size, and other films you can do independently. When I think of a studio, I generally think of distribution. Since I'm a director, I have a similar creative experience on every film I do, because I can control that. But then it's a different film, I think, as it reaches the public, depending on the way it's marketed. I don't know. I haven't learned much of anything. Sometimes you need them, sometimes you don't. Sometimes they want you, most of the time they don't.

My sisters would swear that I was the spoiled kid who got everything he wanted, and I would go "No way! I worked my ass off and you guys got everything." We're all kind of in our own narratives.

I'd like to quit thinking of the present as some minor insignificant preamble to something else.

When you're in love, you're asking someone else to fulfill all your unfulfilled needs, to make you whole, and to make you feel good about everything, and no one can do that.