Being an actor myself I realize that all actors believe they are qualified to play any role. If you showed me a script with a black woman character I would tell you that I could do it. That is what we do. We act as if we are someone else.

I moved out to L.A. in July and Hot L Baltimore started in September or October. So I had done a few things. I'd done a Mary [Tyler Moore]. I'd done a Waltons. I hadn't done a Rhoda yet I don't think.

I am so grateful for One Day At A Time, even though for years and years and years people would go, "Oh, you were on One Day At A Time." I [am on the show] for about seven months and then this haunts me for the rest of my life. No, I had no regrets.

But people who think they can project themselves into deafness are mistaken because you can't. And I'm not talking about imagining what a deaf person's whole life is like I even mean just realizing what it is like for an instant.

She [Susan Lucci] was extraordinary. She wouldn't look at the scene until you walked in to rehearse it. It was amazing to me. That's the impression I got anyway.

For example, the first time McDonald's put a deaf person in a commercial they saw a jump in sales. I think that happens with other kinds of disabilities and products and that is something that is being realized more and more.

I still to this day maintain that in that million-and-a-half feet of film [Heaven's Gate] that we shot, we thought we were making a great American film. I honestly believe that Michael [Cimino] was under a tremendous amount of pressure, and Michael's response to pressure from what I saw was to double down and to get more aggressive and to get more kind of arrogant, but I don't think it was real. I think it was the response to pressure.