I walk into office, which is the casting office for CBS in New York. Mainly what they cast out of this office was the CBS daytime shows. I go in and walk into this room which every seat is filled with young African-American boys and girls and they were in their teens. I went, "I'm in the wrong place. Why am I here? What's going on?"So I go in and meet Norman [Lear].
Richard MasurI am so grateful for One Day At A Time, even though for years and years and years people would go, "Oh, you were on One Day At A Time." I [am on the show] for about seven months and then this haunts me for the rest of my life. No, I had no regrets.
Richard MasurMaybe if I'd gone in younger, I wouldn't have had that feeling, but I've seen an enormous amount of changes since the early-'70s in how this stuff is shot. I did the first TV movie ever shot in 18 days; before this film the normal length of shooting a TV movie was between 21 and 26 days. We shot a full-up, two-hour TV movie in 18 days with Donald Sutherland playing the lead, who had never worked on television before.
Richard MasurAfter we did [All In The Family], that ended up being a real love fest all around. Me and Norman, Norman [Lear] and me, Rob Reiner, everybody liked everybody. So about six or seven months later I moved out to L.A. and I got a call that Norman wanted to see me. I came in and he said "ABC has given me a property that they just optioned to make into a TV series. It's from a play called Hot L Baltimore, and I want you to be in it."
Richard MasurVery interesting show. It's "Hotel" with the E missing. Hot L Baltimore. It was about a rundown hotel which had become kind of a residential not quite welfare but almost welfare hotel with a very bizarre collection of people.The desk clerk was played by Jamie Cromwell. That was his first big thing. Conchata Ferrell played April, the main of the two prostitutes, and my character didn't exist in the [stage] show.
Richard MasurThere is no relation to sound for deaf people. It is a totally different mental process.
Richard MasurI was doing a play in New York, which we had done in New Haven, Connecticut. It was an American premiere of a play called The Changing Room written by a wonderful man named David Story. It was about a rugby team in the North of England. It got just screaming rave reviews. At that time, virtually every major critic went up to the Long Wharf Theater to see a new play like that.
Richard Masur