I was composing before I realised I was a composer. I mean it came more or less naturally.

Music is for people to hear, I can't think of anything else it could be for. Unless you believe in God, and I don't think God really would be all that interested. I'm sure when Bach wrote for the greater glory of God, he really didn't think that God was going to sit down at breakfast and listen to his cantatas. I think he meant for higher purposes than earning a living.

Anything that we love seems to always come out in some form or another, but once it gets into your brain, these things get processed, and they come out in new shapes and forms.

I was always self-taught, there was no-one to study with when I was doing composition.

It never occurred to me that there was anything odd about writing my own music, and so I used to just jot down little ditties and things like that. And it was only in later years I suppose when I was about nine or so, that I realised there was this thing called composing.

The one thing I never did, I was never strict in my techniques. I might have pretended in the past at times that I did work serially, or something like that, but I never did, it was always I let my ear tell me what to do.

In studying music, you're dealing with a person, not just what comes to you on a piece of paper, and it's important to get hold of what it is that lies between that person as a person, and the things which they're producing on the paper. I don't know whether I see things in too complex a fashion, but often people will do things which are not actually their nature, but will do things because they think that's what they should do.