And the whole online thing is like, I just, that to me is a world that doesn't exist. It's not something you could touch or lick or smell. And as my eyes get worse, it's very hard to read. And there's no money in it. I mean, it's like they pay, like the best you can go is 1970 prices.
Richard MeltzerMy issues with it are that simply in terms of my own work. It represents 30 years of output. And some of the things, some of the pieces I've used there, when I first wrote them, they seemed probably very menacing, and I hear them now, and they're just kind of pleasant, if that's the word.
Richard MeltzerThose which might have some depth are corny enough to be hokey, and almost hokey enough to be folky, since folky is already so hokey anyhow.
Richard MeltzerOne of the things about me is that I actually had marginally middle-class living from writing. For years and years, I actually wrote so much through the '70s and '80s that I made a living. And very rarely have I had to take another job. And now it's impossible for anybody coming up to make such a living. They've pissed in the temple, you know?
Richard MeltzerA lot of things appearing under my byline were written in one draft. But when I started to write poetry, I started getting fussy about every syllable. I wouldn't allow the work to be seen unless it felt perfect. Not clunky at all, no clunky syllables. So, really, for the printed page, it had to have a feeling of rhythmic and syntactic verisimilitude or something.
Richard MeltzerBasically, I've reached the point where I've lost any direct relationship to any of the editors I used to have. I suspect I'll have to pay to publish this myself, and I think a lot about about putting out fifty copies. I used to think about hogwash like my legacy and silly things like that. But I feel like if I never have another book out, I've done okay, I've had like twelve or thirteen little books, and I won't be upset about this on my death bed.
Richard MeltzerAnd the whole online thing is like, I just, that to me is a world that doesn't exist. It's not something you could touch or lick or smell. And as my eyes get worse, it's very hard to read. And there's no money in it. I mean, it's like they pay, like the best you can go is 1970 prices.
Richard Meltzer