The manuscript you submit [should not] contain any flaws that you can identify - it is up to the writer to do the work, rather than counting on some stranger in Manhattan to do it for him.

No one should be judged by the worst moment of his life.

The writer must always leave room for the characters to grow and change. If you move your characters from plot point to plot point, like painting by the numbers, they often remain stick figures. They will never take on a life of their own. The most exciting thing is when you find a character doing something surprising or unplanned. Like a character saying to me: ‘Hey, Richard, you may think I work for you, but I don’t. I’m my own person.’

Aggressiveness is good in a combat leader. Combining that with ambition and insecurity becomes more problematic.

Write what you care about and understand. Writers should never try to outguess the marketplace in search of a salable idea; the simple truth is that all good books will eventually find a publisher if the writer tries hard enough, and a central secret to writing a good book is to write on that people like you will enjoy.

Writing is rewriting. A writer must learn to deepen characters, trim writing, intensify scenes. To fall in love with the first draft to the point where one cannot change it is to greatly enhance the prospects of never publishing.

Problem was that we could make things worse but we couldn't make anything better.