A lot of it's experimental, spontaneous. It's about knocking about in the studio and bumping into things.

Is passion what we are? Is that what we are in pictures? Is what we are in pictures almost real? Maybe it's become the most real thing.

I think with success you do get a little more guarded and you start to change your friends. You become more isolated. And you start hanging around with people who have money! I think that's the biggest thing. Once you do get a bit of change in your pocket, you start hanging around with other people who have some change. It was kind of strange to all of a sudden go from one extreme-Manhattan-to where I went, upstate New York. But I did it because I was dying in the city. I couldn't take it. I couldn't take one more dinner party. I couldn't take one more party, period.

We do not make art. We have unnamable motors and dangerous impulses that occupy our thoughts.

I wouldn't mind people saying, "You can't do this because this isn't enough."

It would be strange for me to think I'm being ripped off, because that's what I do!

I wish I had met [Francesca] Woodman forty years ago. It would have been great to live with her for a year. She didn't save anything. She played the camera like a new guitar. She murdered herself out taking pictures.