A lot of it's experimental, spontaneous. It's about knocking about in the studio and bumping into things.

I wish I had met [Francesca] Woodman forty years ago. It would have been great to live with her for a year. She didn't save anything. She played the camera like a new guitar. She murdered herself out taking pictures.

I wouldn't mind people saying, "You can't do this because this isn't enough."

We do not make art. We have unnamable motors and dangerous impulses that occupy our thoughts.

I never had a penny to my name, so I changed my name.

If you're an artist or someone creative, it's all about cheap rent and not having to work for a living. That's what it's always been about. Unless you're a trust-funder or you somehow score a great part-time job or you work for another artist, you're going to go where you can afford to live.

The subject comes first, the medium second.