Why mince words? Beautiful Ruins is an absolute masterpiece.

What if all everybody needed in the world was to be sure of one friend? What if you were the one, and you refused to say those simple words?

I told him the truth, that I loved him and didn't regret anything about our lives together. But do we ever 'tell the truth, the whole truth, and nothing but the truth, so help me God' as my father used to say, to those we love? Or even to ourselves? Don't even the best and most fortunate of lives hint at other possibilities, at a different kind of sweetness and, yes, bitterness too? Isn't this why we can't help feeling cheated, even when we know we haven't been?

I was pretty dead set against ever writing an academic novel. It's always been my view that there are already more than enough academic novels and that most of them aren't any good. Most of them are self-conscious and bitter, the work of people who want to settle grudges.

Were it not for Occam's Razor, which always demands simplicity, I'd be tempted to believe that human beings are more influenced by distant causes than immediate ones. This would especially be true of overeducated people, who are capable of thinking past the immediate, of becoming obsessed by the remote. It's the old stuff, the conflicts we've never come to terms with, that sneaks up on us, half forgotten, insisting upon action.

People sometimes get in the habit of being loyal to a mistake.

My God, he couldn't help thinking, how terrible it is to be that age, to have emotions so near the surface that the slightest turbulence causes them to boil over. That, very simply, was what adulthood must be all about -- acquiring the skill to bury things more deeply. Out of sight and, whenever possible, out of mind.