One of the nice things about our marriage, at least to my way of thinking, is that my wife and I no longer have to argue every thing through. We each know what the other will say, and so the saying becomes an unnecessary formality. No doubt some marriage counselor would explain to us that our problem is a failure to communicate, but to my way of thinking we've worked long and hard to achieve this silence, Lily's and mine, so fraught with mutual understanding.

I have to have a character worth caring about. I tend not to start writing books about people I don't have a lot of sympathy for because I'm just going to be with them too long.

I get and read an enormous number of first novels.

I just have this feeling that if it weren't for the Gloversville Free Library that I probably would not be a writer.

Since her retirement from teaching Miss Beryl's health had in many respects greatly improved, despite her advancing years. An eighth-grade classroom was an excellent place to snag whatever was in the air in the way of illness. Also depression, which, Miss Beryl believed, in conjunction with guilt, opened the door to illness. Miss Beryl didn't know any teachers who weren't habitually guilty and depressed-guilty they hadn't accomplished more with their students, depressed that very little more was possible.

After all, what was the whole wide world but a place for people to yearn for their heart's impossible desires, for those desires to become entrenched in defiance of logic, plausibility, and even the passage of time, as eternal as polished marble.

You use simple brushstrokes in a screenplay for things over which you would take much greater pains in a novel.