I still have the mentality of someone who doesn't know where he's going to sleep and doesn't know if he has enough money for gas to get to the next job interview. I don't think that mentality ever leaves, you know?

I am one of the lucky ones; believe me, I haven't forgotten that.

I imagine an America that can actually change. That we become a nation that prospers again but without pillaging the resources of nations that make their people hate us. That we become a nation that, as the constitution says in its preamble, its very first paragraph, 'promotes the general welfare' of its people.

The political nonsense of network television and the culture of a set and all the problems that that can create, I can take. I can't take betraying the truth of what I'm doing. It cuts to the absolute core of everything that I do in the craft, in this world that I live in.

I love David Fincher - even though it was just two scenes, I loved the way we worked and could tell by the way he was shooting it that this was going to be an affective movie to say the least.

It was tough doing 'Underneath the Lintel' in New Jersey in the wintertime, but rewarding. Those audiences were lively and interactive. On-stage was great, but off-stage was difficult.

My favourite British spots are any of the beautiful parks, especially on a sunny day such as this, after a long stretch of cold, cloudy and rainy days.