I'm not making a movie about the real people. I'm making a movie about what they did, and what happened to them. But I will create characters so that I can have the freedom to make them say and do what I want. The real-life journalists were fine with that.

We're all so jaded. We've seen so many movies. We know what's going to happen in every single movie. I mean, there are some movies where I'm like why do I even need to keep watching? And so, if you can make a movie in which you're completely surprising the audience left and right, and left and right, then you've won. If a jaded film critic or reporter or an audience is like, "I didn't see that one coming," that to me is like a victory.

Every movie is a surprise. That's what is so fun about it. You can be planning a movie for years, and then you'd better be surprised every day, or it's going to be stale.

I'm not making a movie about the real people. I'm making a movie about what they did, and what happened to them. But I will create characters so that I can have the freedom to make them say and do what I want. The real-life journalists were fine with that.

For me, when I see movies where I kind of know who the characters are and what the situation is, I get bored. To me, it's, "How do I tell a story that will keep the audience engaged?" A great story does that: it's not exactly what you expect.

So I like switching it up. I like that people are laughing but they don't even know if they should be laughing. I think that's interesting. I think it makes for a fun movie. And you're far more likely to be able to actually get something into someone's head if they don't quite see it coming, as opposed to delivering a very serious examination.

I feel like you can have entertainment, and you can laugh, but during that period of time you can also think, and people should get upset. America is spending a lot of time and money pretending to be searching for people who we're not really searching for. That is enough to get someone angry.