It's amazing what some people read into songs.

I probably wrote three-quarters of the songs without an instrument in my hands.

Over the years, I've had fairly benign record companies who gave me a lot of rope, but in spite of that, there's still restrictions and expectations. It's nice to be at the cottage-industry size, which I think is kind of the business model of the age anyway. It's the way to be. The Internet makes a lot of that possible. Having a loyal fan base is also very useful to keep me operating; people can find your website, and the venues that you're playing at, the merchandise you have for sale, all that kind of stuff. It's great to be able to reach the audience in a more direct way.

When you stand up acoustic in front of an audience, you really are a man without any clothes on. And that can be fun - it depends how much of an exhibitionist you are, I suppose. I quite enjoy it.

I have to remind myself not to set boundaries.

I think you can refine what you do, and become more consistent. And you write better songs that have a better shape and a better feeling. You evolve into and out of things, and go through stages, but, ultimately, you do improve.

There are only three white blues singers -- Geoff Muldaur is at least two of them.