The artist must bow to the monster of his own imagination.

At the age of twelve I had an attitude toward life that was to endure, that was to make me seek those areas of living that would keep it alive, that was to make me skeptical of everything while seeking everything, tolerant of all and yet critical. The spirit I had caught gave me insight into the suffering of others, made me gravitate toward those whose feelings were like my own, made me sit for hours while others told me of their lives, made me strangely tender and cruel, violent and peaceful.

I listened, vaguely knowing now that I had committed some awful wrong that I could not undo, that I had uttered words I could not recall even though I ached to nullify them, kill them, turn back time to the moment before I had talked so that I could have another chance to save myself.

Goddamnit, look! We live here and they live there. We black and they white. They got things and we ain't. They do things and we can't. It's just like livin' in jail.

It would have been impossible for me to have told anyone what I derived from these novels, for it was nothing less than a sense of life itself.

What could I dream of that had the barest possibility of coming true? I could think of nothing. And, slowly, it was upon exactly that nothingness that my mind began to dwell, that constant sense of wanting without having, of being hated without reason.

He had lived and acted on the assumption that he was alone, and now he saw that he had not been. What he had done made others suffer. No matter how much he would long for them to forget him, they would not be able to. His family was a part of him, not only in blood, but in spirit.