I listened, vaguely knowing now that I had committed some awful wrong that I could not undo, that I had uttered words I could not recall even though I ached to nullify them, kill them, turn back time to the moment before I had talked so that I could have another chance to save myself.

I knew that I lived in a country in which the aspirations of black people were limited, marked-off. Yet I felt that I had to go somewhere and do something to redeem my being alive.

Reading was like a drug, a dope. The novels created moods in which I lived for days.

The more closely the author thinks of why he wrote, the more he comes to regard his imagination as a kind of self-generating cement which glued his facts together, and his emotions as a kind of dark and obscure designer of those facts. Reluctantly, he comes to the conclusion that to account for his book is to account for his life.

I did not know if the story was factually true or not, but it was emotionally true [...].

there are times when life's ends are so raveled that reason and sense cry out that we stop and gather them together again before we can proceed

Pity can purge us of hostility and arouse feelings of identification with the characters, but it can also be a consoling reassurance which leads us to believe that we have understood, and that, in pitying, we have even done something to right a wrong.