I started out by myself, but it eventually turned into a trio by the mid-'60s - a conga drum and another guitarist. And that's been mostly what I've worked with most of the time.

I opened the Woodstock Festival even though I was supposed to be fifth. I said, 'What am I doing here? No, no, not me, not first!' I had to go on stage because there was no one else to go on first - the concert was already two-and-a-half hours late.

Woodstock was not about sex, drugs, and rock and roll. It was about spirituality, about love, about sharing, about helping each other, living in peace and harmony.

I eat once a day if I remember, and I try never to go to sleep.

I believe we have a double in every country. There's something about that that is probably a commonness that we don't make note of. That maybe there's only a cast for so many faces, and we live everywhere.

My mother's family came from the British West Indies. And my father's family came from, well, my father's father came from the Montana/South Dakota area. They were Blackfoot Indian.

Live Aid was a baby Woodstock, a child of Woodstock, which I call Globalstock.