There are these boutique writers out there who think if they are not writing their novels sitting at a bistro with their laptops, then they're not real writers. That's ridiculous.

I began reading Harper Lee's novel in the skimpy shade of a pine outside my grandmother's house, fat beagles pressing against me, begging for attention, ignored. At dark, I kept reading, first on the couch, a bologna sandwich in one hand, then in my bed, by the light of a 60-watt bulb hanging from the ceiling on an orange drop cord. When my mother came in from her job as a maid and unplugged my chandelier, I replayed the story in my head until it was crowded out by dreams. I woke the next morning, smelling biscuits, and reached for the book again.

It is easy to be liked when the world has no jagged edges, when life is electric blankets and peach ice cream. But to be beloved, a man needs a dragon.

Like most men, Jimmy Jim was neither all good nor all bad. It is just that when he was bad, gentler people saw in him a disturbing fury. People, a lot them, don't understand fury. They understand anger and even hatred, but fury is one of those old words that have gone out of style. Jimmy Jim Bundrum understood it. It rode his shoulder like a parrot.

Most national correspondents will tell you they rely on stringers and researchers and interns and clerks and news assistants.

The only thing poverty does is grind down your nerve endings to a point that you can work harder and stoop lower than most people are willing to. It chips away a person's dreams to the point that the hopelessness shows through, and the dreamer accepts that hard work and borrowed houses are all this life will ever be.

I believe that if we are going to write about life and death, we should not do it from the cheap seats.