Even in traditional filmmaking, you're always trying to find novel ways of telling stories, and this is different.

I would never have expected anything that I did would ever appear in first-rate museums around the world. That was just a choice that I made, very early on. I was interested mainly in the entertainment arts. I wasn't as interested in being a fine artists.

I love the interplay with other smart and creative people who have got better ideas than I do and that I can bring something to, as well.

You gain wisdom and you don't make the same mistakes.

One of the things I've always tried to do in filmmaking is that you don't tell the story, you try to show it.

My problem has been with purely digital films. I feel the danger there is that the kind of short-cuts you end up having to take are the ones that are most telling in the main characters.

If you are able to see on a monitor what it's actually going to look like and have that kind of feedback informing your decisions, then you're bringing back a lot of the decision-making process of the designer, the director of photography and the director away from the post-production process and bringing it back into the actual capturing of the event on film.