I was working with actors who were very easy to work with, but I can just imagine how, with all the other decision-making problems that come up along the way, in addition to that, the whole point of what your doing is following performance and character development. You're building your story with those building blocks, and it is not easy. I've only come out with more respect for directors, from this.

The advantages of a virtual production pipeline are that you can reduce the footprint of your production down to the size of the stage.

The fact that there are awards and exhibitions and some people know who I am is just all gravy. I'm lucky to just work in an industry where I get to play so much.

You gain wisdom and you don't make the same mistakes.

In a lot of cases, you think that the art director and the production designer designed and built this amazing set, when in fact they only built part of it and were able to extend it using all of this fabulous technology.

I never feel like I'm the guy that's got all the answers.

If you are able to see on a monitor what it's actually going to look like and have that kind of feedback informing your decisions, then you're bringing back a lot of the decision-making process of the designer, the director of photography and the director away from the post-production process and bringing it back into the actual capturing of the event on film.