Every single frame, every single shot in the movie, has a digital effect.

The average film has eight or ten producers on it. That is just in a world that would be unthinkable to me, because to me, to really be a producer of a film, you have to be a line producer.

It's easy to be a backseat driver. It's even easier to be a backseat driver when you're not even in the same car.

We're hoping that in three or four years time, we'll have to never have to answer another question regarding 'Star Wars,' ... With the series, we're trying to do 100 hours worth and answer every single thing anybody has ever dreamed of, thought of, imagined or hoped for.

I don't have to do emails, I don't have to protect myself about anything, I don't have any chain of command. My job is just to try and give everybody the tools that they need to express themselves.

It has absolutely no meaning to me to be an executive producer on a film that I have nothing to do with except come to the wrap party or the premiere on; it's just meaningless.

There's so many people that are interested in film and especially in terms of the technology side of film, that suddenly the fruits of everybody's labor is really starting to manifest itself all across the planet.