Nobody sets out to make a bad film, but so many of those compromises are made and often they're made because of vanity, pride and ego.

It's so dense, every single image has so many things going on.

Nobody sets out to make a bad film, but so many of those compromises are made and often they're made because of vanity, pride and ego.

Producers don't really publicize movies.

It has absolutely no meaning to me to be an executive producer on a film that I have nothing to do with except come to the wrap party or the premiere on; it's just meaningless.

The only way I can stop people from stealing is also not to steal myself, and it's one of the most difficult things.

The average film has eight or ten producers on it. That is just in a world that would be unthinkable to me, because to me, to really be a producer of a film, you have to be a line producer.