Right after the 9/11 attacks I was living near Oakland in California with a buddy who had also grown up in the skate/punk scene of the 80s. We were so shell-shocked from the attacks that we sort of regressed into this childlike mode of filling our apartment with '80s memorabilia. We got all of our favorite skateboard decks off of eBay, bought a bunch of old independent trucks, we got a credit card so that we could buy 720 off of a videogame vendor, we sat around listening to T.S.O.L. and The Misfits playing 720 and pretending that we were still living in our childhood.

A lot of the time you just have to follow your creative muse and do what you think is best for the story.

We are all so immersed in our own technology bubbles that we're ignoring so many important things. We're all online arguing over nuance and nonsense, and everybody's so incensed and upset about things that ultimately mean nothing while we are destroying our environment. While we're racing towards Armageddon, we're all online arguing about what Beyonce said at some award.

I can take strange detours and linger in places and do things that have no budgetary restraints.

Right after the 9/11 attacks I was living near Oakland in California with a buddy who had also grown up in the skate/punk scene of the 80s. We were so shell-shocked from the attacks that we sort of regressed into this childlike mode of filling our apartment with '80s memorabilia. We got all of our favorite skateboard decks off of eBay, bought a bunch of old independent trucks, we got a credit card so that we could buy 720 off of a videogame vendor, we sat around listening to T.S.O.L. and The Misfits playing 720 and pretending that we were still living in our childhood.

I do my very best to not allow external trends or zeitgeists to feed into what I'm producing.

I think that people who don't mind reading find the immersion and their ability to get into a deeper place with the story to be satisfying. That's the kind of reader I want.