Maybe that's why he had started to fear suffocation. It wasn't so much drowning in the earth or sea but the feeling that he was sinking into too many expectations, literally getting in over his head. Wow...when he started having thoughts like that, he knew he'd been spending too much time with Annabeth.

Percy, meet Gladiola. Gladiola, Percy." I stared at Annabeth, figuring she'd crack up at this practical joke they were playing on me, but she looked deadly serious. "I'm not saying hello to a pink poodle," I said. "Forget it." "Percy," Annabeth said. "I said hello to the poodle. You say hello to the poodle." The poodle growled. "I said hello to the poodle.

He understood how dangerous oaths could be. But Leo didn't care. "I'm coming back for you, Calypso," he said to the night wind. "I swear it on the River Styx.

But you'll be killed!" "I'll be fine. Besides, we've got no choice." Annabeth glared at me like she was going to punch me. And then she did something that surprised me even more. She kissed me.

Percy frowned "You have a feast for tuna?

Piper leaned toward [Jason], her caramel braid falling over her shoulder. Her multicolored eyes made it hard for him to think straight. “And where is this place?” she asked. “A . . . uh, a town called Split.” “Split.” She smelled really good—like blooming honeysuckle. “Um, yeah.” Jason wondered if Piper was working some sort of Aphrodite magic on him—like maybe every time he mentioned Reyna’s name, she would befuddle him so much he couldn’t think about anything but Piper. He supposed it wasn’t the worst sort of revenge.

Kids, if anything, are harder to write for because they are a more discerning audience. They will not stay with you if you go off on a tangent or if you give them extraneous information that doesn't serve the story. You really have to tell a tight story. You have to give them humor and suspense and believable characters. All those things that adults want too, but you have to be really on your game when you're writing for kids.